Is Art and Money like Oil and Water?

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About three years ago, the director of the UC Berkeley career center read a profile of me written by the business editor of the San Francisco Chronicle and invited me to be part of a panel discussion for recent art degree graduates and alumni. Once again I encountered such strangely conflicting opinions about the commerce of fine art, just really weird biases and stupid and tedious stereotypes.

The panel was composed of a successful print maker, a painter, a tenured UC Berkeley art professor of painting, me, and someone else.  When the moderator came to the professor to ask his esteemed opinion on the matter of making a living as a fine artist, his general very long-winded response was to “just make art and do not worry about money.”

To my delight, my print making co-panelist dropped an f-bomb and said “F*! that, people are buying art”.  “You said it sister!” I replied.  And easy for you to say Mr. Tenured professor, who’ll never be fired, even though his instruction is completely irresponsible garbage.  “Don’t worry about it?!” So should they not worry about food or shelter either? Good grief!  The ones who seem to be less concerned with money are usually the ones who have plenty of it or who know that ultimately they have a financial back up. Go figure.

I heard this strange disdain for the commerce of art just last week.  I was interviewing marketing consultants to help me craft a new marketing piece and I was met with “you seem to be much more interested in the marketing of art than the making of art.”  “Ah, nooo. I’m very interested in the making of art, but if I want to keep doing that I have to market it.  And ah, aren’t you a marketing consultant?”  I didn’t hire him.

What the heck is this twisted and hypocritical conflict about money and art?  Musicians seem to suffer less from this. Why is that?

Please! Making art and well-being requires money. So let’s make more money!

“When bankers get together they talk about art. When artists get together, they talk about money.” -Oscar Wilde

Sound familiar?

When I started to paint again I joined an “artist support group.” It was horrifying. All they did was whine about money.

It had taken all my courage to put myself out there and to start painting again after a seven-year absence from the easel.  This group was doing nothing to help me feel supported and I couldn’t support them because they were so invested in complaining and being victims. I realized that keeping this kind of company would keep me in the same space.

So I dropped out and started to interview successful and reasonably happy artists.  Each was generous with their time and advice.

When I met Wayne Thiebaud he had reached the pinnacle of his career with a retrospective of his life’s work traveling the nation’s most significant art institutions.  His friend and colleague, Gregory Kondos, had a huge backlog of private commissions and real estate investments in several countries.  And when I met with Donna Billick, she told me how she had created a number of lucrative public work commissions and her gallery sales were nothing that she relied upon but simply icing on the cake.

Donna and her brother, Brian Billick, a NFL football coach, discussed their winning strategies every week.  She said that so much of success is one’s attitude.  Donna looked me straight in the eye and said, “If you want to succeed, you’ll need to take the reins.”

Standing on the street in downtown Davis, California, across from the Natsoulis Gallery, I thanked Gregory for advising me.  Then he made me promise him that if he helped me succeed that I must promise him that one day I would help other artists succeed.

In part that conversation with Gregory Kondos is what inspired me to created ArtistsWhoTHRIVE.com. My intention is to change the conversation in a virtual community of entrepreneurial creatives.  I invite you to join that conversation at ArtistsWhoTHRIVE.com